RULES (IC)
RULES
Darlings, I know you won't want to play by the rules, but you really should. I'm sure you can imagine if you don't, the consequences will be unpleasant. For you.
I. The Lady is the person in charge of this city and its inhabitants. As such she will be shown the proper respect, and so will her chief of staff, Rembrandt. You won't question the Lady's orders. Noncompliance to any orders that isn't a rule is fine, but it'd all be much easier if you listened.
II. You cannot attack the Lady unless you're given explicit permission—and you're not getting it. If you're so eager for a fight, I'm sure your fellow Survivors will be willing to spar with you. If they're not so willing, don't ask them before striking. Rembrandt is more willing to take part in a fight if you ask him, but you shouldn't. Listen to me for once.
III. Do anything you want with the city, as long as you don't destroy it much. Write to me any proposals of widespread destruction and I'll consider them—although doing so represents forfeiture of your idea. Credit goes to the Lady.
IV. Dears, you're here to die. Obviously you should always expect your fellow Survivors to attack when you let your guard down. Violence among you is encouraged, and so is creativity. Anything can be a harmful weapon when you really try your best.
V. If you take our offer and manage to succeed in the murder of another Survivor with the help of an accomplice, only the killer will receive the just reward. Any accomplices will receive lesser versions of this reward. If you wanted more you should have had more initiative.
VI. Bringing weapons to the trial in the opera house is allowed as long as you don't use them to destroy the place or use them against the Lady or Rembrandt. Targets such as other Survivors are acceptable, but please don't kill everyone at once.
VII. The Lady reserves the right to add more rules whenever it's necessary. Don't push your luck, or else you'll see a new rule right here!
VIII. The mail chute is for objects to go downwards, not for idiots to go upwards. Attempting to climb, tamper, or otherwise interact with the chute in any way that isn't its intended purpose is forbidden.
II. You cannot attack the Lady unless you're given explicit permission—and you're not getting it. If you're so eager for a fight, I'm sure your fellow Survivors will be willing to spar with you. If they're not so willing, don't ask them before striking. Rembrandt is more willing to take part in a fight if you ask him, but you shouldn't. Listen to me for once.
III. Do anything you want with the city, as long as you don't destroy it much. Write to me any proposals of widespread destruction and I'll consider them—although doing so represents forfeiture of your idea. Credit goes to the Lady.
IV. Dears, you're here to die. Obviously you should always expect your fellow Survivors to attack when you let your guard down. Violence among you is encouraged, and so is creativity. Anything can be a harmful weapon when you really try your best.
V. If you take our offer and manage to succeed in the murder of another Survivor with the help of an accomplice, only the killer will receive the just reward. Any accomplices will receive lesser versions of this reward. If you wanted more you should have had more initiative.
VI. Bringing weapons to the trial in the opera house is allowed as long as you don't use them to destroy the place or use them against the Lady or Rembrandt. Targets such as other Survivors are acceptable, but please don't kill everyone at once.
VII. The Lady reserves the right to add more rules whenever it's necessary. Don't push your luck, or else you'll see a new rule right here!
VIII. The mail chute is for objects to go downwards, not for idiots to go upwards. Attempting to climb, tamper, or otherwise interact with the chute in any way that isn't its intended purpose is forbidden.